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The setlist for “Jazz and Piano” was more of a mystery in advance than the obvious greatest-hits lineup for “Enigma.” Would she even be doing any of her original material with an orchestra? She does, although it’s only four songs sprinkled into the show. She passes, with flying and terrifically flamboyant colors. The real test is imagining whether you’d still be this won over if you were seeing her do these songs as an unknown at the Rainbow Room… or as an actual Vegas star in an alternate 1960s universe where Shirley MacLaine is not the sole female Rat Packer. But this show makes it clear that no one needs to put a pinkie on the scale while judging her prowess. You may enter the premises with the still reasonable suspicion that anyone who’s made it in contemporary pop will be the beneficiary of some automatic handicapping when they deign to go legit and go slumming through the standards of the ‘30s, ‘40s and ‘50s. It’s no insult to that other production - or to thongs, for that matter, or to flying harnesses and giant robots - to say that “Jazz & Piano” blows that one out of the water. “You know, it was just last night I was bent over in a thong singing some progressive pop,” the star quipped at the top of the show, making reference to “Enigma,” which opened three weeks ago, and which she had indeed been performing just 24 hours prior. It was pretty dreamy for the rest of us lovers of Cole Porter, Billy Strayhorn and ridiculous headdresses, too.
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But during Sunday’s opening performance of “Jazz & Piano” - her other residency show at the Park Theatre in Las Vegas - it was pretty clear that this trip through the statuesque heights of the Great American Songbook, not a gold statue, was her real dream come true. I love you.In a year when Lady Gaga stands to win at least one Oscar next month and has a decent chance at two, it may sound like a case of premature congratulation to suggest that she’s already enjoyed the most triumphant night she’ll have in 2019, if not in her career. “You are forever my friend and musical companion. ”įor Bennett’s 95th birthday this year, Gaga shared a loving tribute to him on her Instagram. I always feel like if it’s good, it’s good. I don’t have any rules when it comes to where or how I release music. We did ‘The Lady and the Tramp,’ and because that was so successful, we decided to go ahead with the album. We have to do an album together.’ I immediately said yes, let’s do it. But I collected myself, put on something elegant, and met him, and he said, ‘My gosh, can you sing jazz. I couldn’t believe I had just sung jazz in front of the great Tony Bennett. Bennett would like to meet you.’ I said, ‘Are you kidding me? Oh, God, he was here?’ I was mortified. I was singing that night, and my buddies that I’ve been playing jazz with for many years-I call them the Rivington Rebels, they’re from the Lower East Side-were in town, so I said, ‘Hey, do you want to sing a couple jazz tunes with me during my set?’ They said sure, so I sang Nat King Cole’s ‘Orange Colored Sky’ and George Gershwin’s ‘Someone to Watch Over Me.’ It just so happened that Tony Bennett was in the audience. Gaga recalled of their original meeting, “Tony and I met years ago at a Robin Hood Foundation event to raise money for impoverished people in New York. The two just released a new jazz album, Love for Sale, on Sept. Gaga originally spoke to Voguein 2014 about her decision to do a jazz album, Cheek to Cheek, with jazz legend Tony Bennett.